The idea of I Hear IC is to gather people from Iowa City to present brief performances in a local coffee house. Peformances were in the range of 10-20 minutes. Other performers on this night included Jazz singers, an improvisation from two Iranian musicians and a small ensemble improvising a new soundtrack for old cartoons.
In that context I knew that it wasn’t like playing an hour-long techno set; no one would be dancing so the kick drum didn’t need to be in the mix the whole time. As it happened I finally brought it in at around 6 minutes; this goes back to early 90s origins of ambient techno, when producers would do long beatless intros to tracks. The rise of ‘popular’ ambient — with the KLF and the Orb being the most famous proponents — grew out of never actually bringing in the beat. Sonically I think this piece has a bit of the Orb about it.
It’s also an instance of not holding anything back. I went back over projects on my studio machine and plundered them for interesting sounds and loaded them all together in one set where I could mix and match stuff that originally went with much different music. I recorded a lot of sounds from my outboard synthesizers, playing loop clips and tweaking knobs to get some movement. The main repeated pad changes chords but it was accidental — I discovered that the JP6 would change the pitch of sounds when I jacked up cross mod. Which is fun because I was playing a slider; the chords were not exactly in tune.
The basic framework was dictated by a tonal center of C Minor. The bassline is straight 16th notes playing C C Eb Eb. That kind of simplistic sequencing reminds me a bit of early Tangerine Dream.