Tag Archives: FourTet

KRUI Noise Radio Show 2013-10-26

This week’s mix focuses mostly on 3 new releases: Autechre’s L-system, Estroe’s Comfort And Closure, and FourTet’s Beautiful Rewind.
ComfortAndClosure
Autechre is perhaps the most resolutely inacessible group to ever acquire a dedicated fan base; their music challenges listeners to find a new way to hear music. My thought while I was playing on the radio was that there were drunk people riding around Iowa City last night after the football game wondering what had gone wrong with their radio. I love that, but obviously it is an acquired taste.estroe
Estroe (aka Esther Roozendaal) is a Dutch producer and DJ who has a long association with Eevolute/Eevonext Recordings, Stefan Robbers’ seminal Dutch techno label. This new album is a triumph; she has always been a gifted producer, but Confort and Closure manages to be both a great dance floor and a great listening record.autechre-l-event-12-086928-15cbc4d6 FourTet’s Beautiful Rewind is yet another of his releases that finds him exploring his own sonic world; it’s tangent to popular dance music — a DJ can play his tracks out, some of them to devastating effect — but not contained or limited by it. I also include his remix of Justin Timberlake’s “Suit & Tie”.Four_Tet NAW (Neil Wernick)’s new SUB BUS is a remarkable piece of music. Dub techno has an awful lot of tracks that sound the same. Neil finds something new and dramatic with this release — it’s spiky, chaotic and still funky.
Kid606 has been messing with the bounadaries of popular electronic music for over a decade now, and every album has at least something unexpected about it. The new album Happiness does something really strange in taking House Music and slowing it way down (to below 90 BPM from its customary 120 BPM), and employing sunny, naive major chord melodic material.Meow200_Kid606_Happiness_HIRES There’s a feeling that each track is a jam, though I’m not sure how exactly he’s jamming; the same sounds or notes collide and bounce off copies of each other.

For some reason, Ableton Live did not record the cross fader for this set, which is really odd; either that or I don’t understand the new-fangled way it manages automation. So the track sequencing was live, but I had to go back and re-draw all the cross fades as best I could. So this is a ‘live’ DJ mix only approximately.

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http://www.cornwarning.com/chaircrusher/Chaircrusher-2013-10-26-NoiseRadio.mp3
Keys N Krates Dum Dee Dum
Autechre Lac Lacora
Autech Osla for n
Kid606 Blood Stevia Sex Magic
Kid606 Cute Never Dies
Autechre newbound
Imposter(s) Dead Prez
Imposter(s) Imposter
Justin Timberlake Suit & Tie (FourTet Remix)
Phaeleh Make You Feel
Kelpe Monte Verita? (Kevin Reynolds Remix)
Estroe Unconscious Suppression
Estroe Patiently Awaiting A Miracle
Estroe Comfor In Disguise
Estroe False Identity
Estroe Reaching Closure
Estroe State Of endurance
FourTet Ba Teaches Yoga
Estroe Sustainable Illusion
Estroe Happy Distraction
Estroe Out of My Comfort Zone
Estroe Beat Box Contest
Estroe Cock Sure
NAW Sub Bus
NAW Low Level Transi Movement
FourTet
Buchla
Four Tet Our Navigation
Douster & Gina Turner Hush
Four Tet Kool FM
Four Tet Parallel Jalebi
Parson Texas Crawl
Autechre M39 Diffain
Four Tet Gong
Kid606 Coronado Bay Breezin’

KRUI Noise Radio 2013-07-13 DJ Mix

The 2 month gap since my last radio show means that a lot of new music has come out so this set has some ‘new’ stuff that’s a bit older than usual, and advance promos played after their release. No matter.

The two releases that are of particular note to the summer’s mood are http://www.bordercommunity.com/?p=5240 and Boards of Canada’s Tomorrow’s Harvest. This is a new BOC album after a long silence, and I think that it is a brilliant album, though the critical and fan reaction has been muted. This is, I think a result of BOC no longer being a musical surprise. But it stands on it’s own merits, and by the way did anyone say to Mozart “Another bloody symphony, when are you going to come up with something new?” It took me longer to come around to James Holden’s record — on first listen it seems pretty discursive and aimless. But on repeated listen there’s something that gets under my skin. “Blackpool Late Eighties” is a perfect standing wave of dream logic romanticism, using Kraut Rock loopiness to build a mood that takes flight. The musical equivalent of being hypnotized by clouds out a jetliner window.

Estroe’s collaboration with Nuno Dos Santos on Eevonext is interesting for breaking out of the techno mold, “Second Thoughts” is nearly beatless, moody, and uses bass to create a forboding mood. The always excellent FourTet shows up repeatedly, in three radically different tracks, including the trip-hop reimagining of Tori Amos’ “Unspoken.”

Detroit Electro veterans Aux 88 sent me a promo of their new EP, from which I chose the Detroit House track “Blue Love.” My revelatory discovery this summer is the Japanese techno producer Takuya Yamashita, whose track “Daybreak” is an instant classic of the emotive Detroit deep techno style.

Closing out, with a blast of low-fi techno from the last century, Joel Brindfalk’s “Great Dose Of Monotonous Techno”. Released under the name ‘Ü’ (try googling that), it is a time capsule from 1992, both in terms of production technique — Roland TR909, a synth or 2, and effects — but it has a deep connection to the new wave of lo-fi techno revivalists.

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http://www.cornwarning.com/chaircrusher/Chaircrusher-2013-07-13-KRUISet.mp3
FourTet Unspoken
Marginal Style Is A Cage
Boards of Canada Nothing Is Real
Allumettes Wallace
S. Carey Two Angles
Tone Of Arc Lost In The Machine
James Holden Blackpool Late Eighties
Estroe & Nuno Dos Santos Second Thoughts
Deadbeat Jaffa Dub
RX Gibbs Honey Dub
Datalog Sumingoshi II
Chris Gavin Nice View (Martin Ruth RMX)
Datalog Arc
Deabeat Peripheral Artifacts
David Powers Remember The Future
Datalog Gampl
Stingrays Adjust To New Knowledge
Cerebro L System
Nathan Fake The Sky Was Pink (James Holden RMX)
Roska + Jamie George Secret Love
Takuya Yamashita Jupiter
Four Tet Lion
Taho Mon Bala
Aux 88 Blue Love
Rocket #9 Rotunda (FourTet Refix)
Takuya Yamashita Daybreak
Chaircrusher The Man Who Played Himself In The Movie
Stingrays Simplexity
Boards of Canada Cold Earth
Joel Brindfalk Great Dose of Monotonous Techno (excerpt)