Tag Archives: RX Gibbs

KRUI Noise Radio 2013-07-13 DJ Mix

The 2 month gap since my last radio show means that a lot of new music has come out so this set has some ‘new’ stuff that’s a bit older than usual, and advance promos played after their release. No matter.

The two releases that are of particular note to the summer’s mood are http://www.bordercommunity.com/?p=5240 and Boards of Canada’s Tomorrow’s Harvest. This is a new BOC album after a long silence, and I think that it is a brilliant album, though the critical and fan reaction has been muted. This is, I think a result of BOC no longer being a musical surprise. But it stands on it’s own merits, and by the way did anyone say to Mozart “Another bloody symphony, when are you going to come up with something new?” It took me longer to come around to James Holden’s record — on first listen it seems pretty discursive and aimless. But on repeated listen there’s something that gets under my skin. “Blackpool Late Eighties” is a perfect standing wave of dream logic romanticism, using Kraut Rock loopiness to build a mood that takes flight. The musical equivalent of being hypnotized by clouds out a jetliner window.

Estroe’s collaboration with Nuno Dos Santos on Eevonext is interesting for breaking out of the techno mold, “Second Thoughts” is nearly beatless, moody, and uses bass to create a forboding mood. The always excellent FourTet shows up repeatedly, in three radically different tracks, including the trip-hop reimagining of Tori Amos’ “Unspoken.”

Detroit Electro veterans Aux 88 sent me a promo of their new EP, from which I chose the Detroit House track “Blue Love.” My revelatory discovery this summer is the Japanese techno producer Takuya Yamashita, whose track “Daybreak” is an instant classic of the emotive Detroit deep techno style.

Closing out, with a blast of low-fi techno from the last century, Joel Brindfalk’s “Great Dose Of Monotonous Techno”. Released under the name ‘Ü’ (try googling that), it is a time capsule from 1992, both in terms of production technique — Roland TR909, a synth or 2, and effects — but it has a deep connection to the new wave of lo-fi techno revivalists.

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http://www.cornwarning.com/chaircrusher/Chaircrusher-2013-07-13-KRUISet.mp3
FourTet Unspoken
Marginal Style Is A Cage
Boards of Canada Nothing Is Real
Allumettes Wallace
S. Carey Two Angles
Tone Of Arc Lost In The Machine
James Holden Blackpool Late Eighties
Estroe & Nuno Dos Santos Second Thoughts
Deadbeat Jaffa Dub
RX Gibbs Honey Dub
Datalog Sumingoshi II
Chris Gavin Nice View (Martin Ruth RMX)
Datalog Arc
Deabeat Peripheral Artifacts
David Powers Remember The Future
Datalog Gampl
Stingrays Adjust To New Knowledge
Cerebro L System
Nathan Fake The Sky Was Pink (James Holden RMX)
Roska + Jamie George Secret Love
Takuya Yamashita Jupiter
Four Tet Lion
Taho Mon Bala
Aux 88 Blue Love
Rocket #9 Rotunda (FourTet Refix)
Takuya Yamashita Daybreak
Chaircrusher The Man Who Played Himself In The Movie
Stingrays Simplexity
Boards of Canada Cold Earth
Joel Brindfalk Great Dose of Monotonous Techno (excerpt)