Unreleased Aphex Twin, Warped in Ableton Live

By now, people who care about the music of Richard D. James, aka Aphex Twin, know about how he dumped 175 (and counting) unreleased songs on Soundcloud. Like everything he’s done its a body of work that is at turns beautiful, frustrating, and obtuse. The majority of the tracks seem to be Aphex-esque techno and… Continue reading Unreleased Aphex Twin, Warped in Ableton Live

Groove, Metastability and Randomness

[audio:http://www.cornwarning.com/chaircrusher/Chaircrusher-TestPercussionGroove.mp3|titles=test percussion groove|artists=chaircrusher] http://www.cornwarning.com/chaircrusher/Chaircrusher-TestPercussionGroove.mp3 This is a recording of two loops playing in Ableton Live. One is a percussion drum rack, the second is the U-He Bazille instrument run through several effects. This loop plays the same notes, but will never actually play the same one bar sounds twice, for two interlocking reasons. First, both… Continue reading Groove, Metastability and Randomness

Using Random Processing in Ableton Live

There are two things that I’ve done consistently for 18 years I’ve been using a computer to make music is to experiment with random processes to generate something musically. EXAMPLE ENSEMBLE: http://www.cornwarning.com/xfer/AbletonLiveRandomizeExample.zip Ableton Live has a ton of effects. People spend a lot of time and money (or time looking for W4R3Z, which imho is… Continue reading Using Random Processing in Ableton Live

#Ableton Q: Start a track before 1.1.0?

Notice my clever hash mark — because my posts get forwarded to Twitter … I’m becoming a blog/facebook/twitter whore.  My friend Dylan wrote “Here’s a problem I’ve been trying to figure out for a while now: say you want to drop a track in from the very start instead of fading it in  slowly, but it starts… Continue reading #Ableton Q: Start a track before 1.1.0?

DJing in Live — Limiters are not the answer!

This is a common ‘helpful tip’ about playing live or DJ’ing with Ableton Live — ‘put a limiter on the main output bus.’ After recording a set last night (which you’ll hear about when I get approval from one artist to use a track) I have spent some time rendering, tweaking, and then re-rendering a… Continue reading DJing in Live — Limiters are not the answer!

AudioMidi has APC40 in stock, shipping today

AudioMidi is one of those online retailers, like NewEgg that once you find it, becomes your vendor of first resort. I can’t recommend them highly enough — competetive prices, prompt shipping, and first rate customer service. I ordered my Akai APC40 yesterday, and called them to ask if they were backordered and when they’d ship,… Continue reading AudioMidi has APC40 in stock, shipping today

Ableton Live 8 Extracts Grooves from Audio

Groove Quantization was one of the ‘big deal’ features added in Ableton Live, and I suppose if I’d read all the marketing shiznit more carefully I would have figured it out before now, but as usual I only learn by doing. [audio:http://www.cornwarning.com/chaircrusher/Chaircrusher-LiveGrooveQuantize.mp3] http://www.cornwarning.com/chaircrusher/Chaircrusher-LiveGrooveQuantize.mp3 So what I did here: 1. Load the track “Amazon” by El-B… Continue reading Ableton Live 8 Extracts Grooves from Audio

How to make Reaktor Knobs Automatable in Ableton Live

So the target demographic for this post is the intersection of three sets: Ableton Live Users Reaktor Users People wonky enough to try and automate VST plugins with envelopes. Still with me? OK. I was contacted by an Internet acquaintance because he wanted to use the Reaktor Effect that emulates the Roland RE201 Space Echo,… Continue reading How to make Reaktor Knobs Automatable in Ableton Live